By Dr. Ken Broda-Bahm:
If you returned with me to Shakespeare’s original theater, the Globe in London around 1600, you would notice one important architectural feature: There is a gallery and there is a pit. The gallery, the seats in the bleachers that ring the outside of the theater, are the pricier seats occupied by the more well-to-do theater goers. The pit, the straw-covered floor of the theater, is where the less affluent would stand and watch the show. Based on this class difference, there is also a difference in the kind of show that each audience wants to see….
A recent panel at the ABA Annual Meeting in San Francisco focused on what Shakespeare had to say to lawyers (it turns out the ‘first, kill all the lawyers” thing is presented as a route to tyranny). I wasn’t able to attend, but I do wonder if the panel touched on this “multiple audiences” lesson from Shakespeare. Litigators addressing a jury have the same need for complexity in focus. But in addition to addressing differences in social class, age, education, race, and gender, attorneys are also speaking to differences in whether jurors are naturally favorable or naturally skeptical of your kind of case.
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